Commencement 2013 In Pictures

The weather may have been gray and wet, but not even the rain could dampen the spirits at yesterday’s Commencement ceremony. Held indoors in the Alumni Field House, Commencement featured a slew of speakers, from Aubree Penney ’13, who was chosen by her classmates to provide the student address, to the honorary degree recipients, professors, alumni and even Bryn Mawr College’s incoming Interim President Kimberly Wright Cassidy.

A total of 296 Fords received their degrees yesterday as part of the Class of 2013, becoming the latest group of alumni in Haverford’s 180-year history. Additionally, the College awarded honorary degrees to AIDS researcher Max Essex, documentary filmmaker Stanley Nelson, President of the Association of American Universities Hunter Rawlings ‘66, and women’s leadership and advancement advocate Sheila Wellington.

For a detailed play-by-play of the day’s activities, check our live blog here.

 

 

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The graduates gather in Ryan Gym in advance of the processional.
The graduates gather in Ryan Gym in advance of the processional.
The processional
The processional
Welcome remarks by Interim President Joanne V. Creighton
Welcome remarks by Interim President Joanne V. Creighton
Student speaker Aubree Penney '13
Student speaker Aubree Penney ’13
The Class of 2013
The Class of 2013
Teaching award-winners Assistant Professor of Astronomy Beth Willman and Assistant Professor of Classics Bret Mulligan
Teaching award-winners Assistant Professor of Astronomy Beth Willman and Assistant Professor of Classics Bret Mulligan
Max Essex
Max Essex
Stanley Nelson
Stanley Nelson
Hunter Rawlings
Hunter Rawlings
Sheila Wellington
Sheila Wellington

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Associate Dean of the College and Director Multicultural Affairs  Theresa Tensuan '89 gave the closing remarks.
Associate Dean of the College and Director of Multicultural Affairs Theresa Tensuan ’89 gave the closing remarks.

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Photos by Jim Roese.

 

 

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Commencement 2013

Congratulations to the Class of 2013! You can follow along with this year’s Commencement ceremony in real time as we post live updates from our Twitter account (@haverfordedu).

Live posts will begin around 10 a.m.

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Scroll down for oldest posts and refresh the page for the latest updates.

 

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A New Mural for James House

The latest mural on James House was painted by artist LNY.
The latest mural on James House was painted by artist LNY.

Student art space James House got its newest mural this month, painted by Newark, N.J., street artist LNY. The Student Arts Fund of the Hurford Center for the Arts and Humanities provided support for the visit by the artist, who also gave a talk on street art, the law, and art’s place in society while he was on campus.

LNY is one of the organizers of the Young New Yorkers program, an arts-based restorative justice program for teens who have been sentenced as adults in New York State’s criminal justice system.

For more information: www.lnylnylny.com/

 

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Fords Win At Second Annual Tri-Co Film Festival

Films made by Haverford students took home five of the nine awards given at the Second Annual Tri-Co Film Festival, which took over the Bryn Mawr Film Institute for the day, on Wednesday, May 1.

The Tri-Co Film Festival attracted 60 submissions from students from Haverford, Bryn Mawr and Swarthmore colleges. Of those films,  23 were selected and curated into seven programs: Collections from the Past, Reflections, Distances, Gutted, Disturbances, Futures and Titles Sequences Re-Imagined.

After an evening screening at the Film Institute came an awards ceremony held later that night at Bryn Mawr’s Goodhart Hall (followed by dancing and dessert). Shari Frilot, a senior programmer with the Sundance Film Festival and one of this year’s Mellon Tri-Co creative residents, juried the films.

A screenshot from Triptyc by Hilary Brashear.
A screenshot from Triptyc by Hilary Brashear.

 

Most of the winning student filmmakers from Haverford were enrolled in  Visiting Instructor Vicky Funari’s “Advanced Documentary Film Production” class, sponsored by the John B. Hurford ’60 Center for the Arts and Humanities.

A screenshot from 69th=> NORRISTOWN.
A screenshot from 69th=> NORRISTOWN.

Hilary Brashear ’13 took home the prize for documentary writing for Triptyc, “a fresh, inside take on the subject of polyamory,” according to Frilot. Alexandra Colon ’13 and her collaborators, Waleed Shahid ’13 and Mary Clare O’Donnell ’14, won two awards, the prize for autobiographical documentary and the coveted audience award, for Dessenterrando Muertos (Unearthing Silence), a beautifully shot doc about Colon’s missing grandfather.  Carl Sigmond ’13, a winner for Best Coursework Film at last year’s inaugural fest for Discovering Albert, took home another prize this year. He, cinematographer Maria Etienne ’14 and editor Gebby Keny ’14 won a prize for vérité documentary filmmaking for their 69th => NORRISTOWN. And Edward Gracia ’13 was recognized for the “lyrical composition, sense of poetry and delightful aesthetic” of the experimental animation of This is About My Dad.

Alexandra Colon ‘13 shooting on a HCAH Student Arts Fund-sponsored trip to Puerto Rico.
Alexandra Colon ‘13 shooting on a HCAH Student Arts Fund-sponsored trip to Puerto Rico.

Congratulations to the winners and all of the talented filmmakers who participated!

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Open Campus Day at Haverford

Faculty Fair in Founder's Hall at Open Campus Day 2013.

Open Campus Day brought a crowd of admitted students and their families to Haverford on Sunday, April 21. The Open Campus Day program allows admitted students the chance  to interact with Haverford students, faculty, administrators and, of course, other potential members of the Class of 2017. The event provides an opportunity to find about majors, learn about student activities and clubs, and ask questions of the very people who will be part of their experience if they choose to attend Haverford.

See more photos of Open Campus day here.

 

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A Candlelight Vigil for Boston Bombing Victims

 

Students gathered on Founders Green on Wednesday night, April 17, to light a candle, say a prayer and share some words in honor of those who were affected by the bombings at the Boston Marathon.

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A Look Back At Pinwheel Day

Yesterday Founders Green was festooned with scores of pinwheels spinning in the sunshine to mark the unofficial start of spring. Students picnicked among the pinwheels, played Frisbee, and brought out instruments and stereo speakers to fill the Green with music.

In case you missed it (or just want to relive it), here are just a few snapshots (and one video featuring Thomas Lloyd’s Bi-Co Chamber Singers practicing outdoors, because it was too nice to sing inside) of Pinwheel Day 2013.

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All photos by Thomas Carroll

 

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Peterson Toscano: Friend in Residence

On the tail end of his three-week stay at Haverford as the 2013 Friend in Residence, performance artist, bible scholar, and queer and environmental activist Peterson Toscano sat down with us to answer a few questions about his work and time on campus.

How have you spent your time here?

I’ve been nicely busy. I’ve done a variety of things—classroom work, teaching theater classes and bible classes and even the Quaker seminar. I visited a bunch of groups on campus, including the environmental group [EarthQuakers] and SAGA, and in the beginning of the three weeks we had a climate change summit, for which we brought a bunch of organizations together to discuss climate change. I did performances, both on campus and off. [Director of Quaker Affairs Walter Hjelt Sullivan '82] reached out to the Quaker Meetings nearby, so I did presentations at three different Meetings in the area. And I did a presentation at Temple University.

Peterson Toscano teaches an acting workshop in the GIAC
Peterson Toscano teaches an acting workshop in the GIAC

 

What was the best part of your residency?
The best part is that, of all the places that I’ve been [to teach and perform], I feel I can be most myself here, because most of “me” is represented somewhere here. I’m a Quaker. I’m a scholar. I’m gay. And those things are very welcome here. So I don’t have to explain a lot of stuff to people who don’t understand one role or another. That’s been great, and I feel like the conversations have been deeper as a result of that.

What have some of those conversations been about?
Sometimes they are about climate change, which is an issue that is really pressing deeply on me these days. I recognize that so much conversation about climate change is fearful and hopeless, because the situation is really dire. But we have to be able to have conversations about what our positive roles will be in a changing earth and what roles this generation has in having real work to do to advance forward—reminding people of history that as Americans, as gay people, as Quakers we have all faced moments where we had to rise to a huge challenge, and we use all of our creativity and our passion and our discipline, and we do it. There’s no reason to think we won’t do that again. So the conversations have been about trying to find positive, hopeful ways forward so that we’re not all dreading the end of the world, and are, instead, seeing that there are other options here. There have been other conversations about being a Quaker and social justice and how Quakers can function in the world—being contemplative on a Sunday, perhaps, but otherwise, being very engaged in the world the rest of the week. That’s been cool. And we’ve definitely been having conversations about lesbian, gay, bisexual, transgender and gender issues. And lots of those great conversations go on all the time here, and I got to be a part of them and add my own perspective about being a person of faith who is also gay and who is also concerned with the environment, and talk about the intersection of identities.

How has the Friend in Residence program been different or unique compared to the other college campus visits that you do regularly?
I’ve done other residencies, and I prefer them [to one-day visits] because they give me a chance to get a flavor of the campus and to build some relationships over time with both students and staff. And this Friend in Residence program has had some of that. But because Haverford is near Philly, which has so many Quakers, there have been a lot of people from off campus who have come onto campus to take part in some of our events—the climate change event or the public performances. Some other colleges are there own little islands where people in the community don’t feel welcomed into it. And this has been nice because that wall of separation isn’t there, and that is probably something Haverford has worked hard on.

How have you found campus life at Haverford?
Overall, it is a very friendly campus. It is fun to hear people who are not Quakers say Quaker-y things—like saying “Friend” a lot. At the SAGA meeting we started and ended with a moment of silence, which I loved so much. But it doesn’t feel like an imposition of Quakerism on the community. Quakerism has been woven in. You’ve found a way to be a secular college with high academic standards and students who, I can see, are very serious about their studies, yet you’ve also been able to successfully weave in a Quaker-like culture that complements what happens here.

Can you tell us a little bit about the piece that you performed as part of the President’s Social Justice Series, Transfigurations, which explores the stories of transgender and gender-variant people in the Bible? 
I premiered it in November 2007 at UMass Amherst. It’s changed a lot through the years. It has become more of a lecture at most places, but here at Haverford is one of my rare theatrical performances with full makeup and lights. Another special feature of the Haverford performance is that there were two men from Philly who shared some of their own stories—they transitioned from female to male—and shared a slice of their life for the audience. So in addition to hearing ancient stories of gender non-conforming people from the Bible, the audience also heard some contemporary stories from their neighbors.

Peterson Toscano in a scene from his one-man show, Transfigurations.
Peterson Toscano in a scene from his one-man show, Transfigurations.

 

Why are you interested in the Bible as inspiration for your work?
It’s a place I resisted going to for a long time. I know the Bible really well because of my background in evangelical churches, and in many ways I was terrorized by the Bible. It was a tyrant, as I was taught it. So part of my own personal work has been to have a conversation with that text and see it with new eyes. And that has been really useful to me and has been useful to my audiences. Instead of looking at laws and precepts, I look at people in the text. I embody these different characters. I give them voice, I give them flesh. It is what, in the Jewish tradition, is called midrash. The Bible, for good or for bad, is an important document in our world today. If you think about it, some of our foreign policy is based on certain readings of the Book of Revelations. Some people treat their children certain ways—sometimes, oppressively—because of how they read the Bible. It’s a text that has given people a great deal of comfort, and it has given some people a great deal of grief. So it is important that there are people in our culture who are literate in the Bible.

You were here to teach our students, but are there any lessons that you, yourself, are taking away from your time here?
I learned more about specific topics, like mountaintop removal, which a lot of the students are very passionate about and Walter is very passionate about. I was aware of mountaintop removal before, but I now have a lot more details and know more about the people who are affected by it because I’ve heard stories from people who have gone to West Virginia. Another lesson that I’m taking away is that people have intellectual needs and they have emotional needs, and when we are facing something huge like climate change, if our emotional needs aren’t met, we can’t even begin to address the intellectual needs because we are so terrified and so ashamed and so hopeless that our brains stop functioning. It has reminded me to continue to consider the emotional needs of my audiences and the people I work with. Another lesson I take away is hope for the Religious Society of Friends. As a Quaker it always seems like we are such a small group of people who are dying out, but seeing that some principles and ideas and practices are infused in people’s lives, even if they never become a Quaker, will make the world, the workplace, the home, communities, better places.

 

Photos by Brad Larrison.

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Spring Has Sprung! Pinwheel Day 2013

Photos from Pinwheel Day 2012
Pinwheel Day 2012. Photo by Richard Weisgrau.

 

Though meteorologists, astronomers and almanacs tell us that the official first day of spring occurred with the vernal equinox back on March 20, it doesn’t quite feel like spring here on campus until Pinwheel Day.  (It hasn’t helped that temperatures since March 20 have mostly required that we keep wearing our winter coats.)

There are conflicting reports as to the exact genesis of Pinwheel Day, but most people agree that it took off sometime in the 1990s. And though it is a relatively young Haverford tradition, it is already much beloved. Under dark of night, a mysterious cabal of Fords transforms Founders Green into a festive field of spinning pinwheels to commemorate the beginning of warm weather. It’s quite a sight! Haverford’s arboretum campus is beautiful year round, but never more so than on Pinwheel Day.

Come and see for yourself. If you live nearby, please swing by campus today and take in the sea of spiraling pinwheels. It—along with the abundant spring sunshine—will put a smile on your face.

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Pinwheel Day 2012. Photo by Richard Weisgrau.

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The Music of Physics

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That’s Professor of Physics Walter Smith at the microphone, belting out a tune during the annual Physics Sing-Along at the March meeting of the American Physical Society (APA).  Years ago, in a collaboration with his wife Marian McKenzie, Smith began writing songs about physics that he used as a teaching tool in his classes. (Among their creations: “Divine Einstein,” sung to the tune of “I’m Lookin’ Over a Four-Leaf Clover;” and “The Photon and the Wave,” sung to the tune of “Let’s Call the Whole Thing Off.” ) About eight years ago, Smith brought his tunes to the APA and launched the sing-along as a social event.  Read more about it in a post on the Physics Buzz Blog, which called the gathering of singing scientists  ”one of the most awesomely nerdy things I’ve ever seen.”

Watch video of the performance below, or listen to a podcast of it here.

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